Anurag Kashyap’s Writing on ‘Shakalaka Boom Boom’ Didn’t Impress Suneel Darshan; Says ‘Went Wrong with the Casting’
In 2007, veteran Bollywood filmmaker Suneel Darshan collaborated with the unconventional and edgy filmmaker Anurag Kashyap for the musical drama ‘Shakalaka Boom Boom.’ Despite the star-studded cast, which included Bobby Deol, Kangana Ranaut, Upen Patel, and Celina Jaitley, the film failed to strike a chord with the audience, leaving Darshan to reflect on where things went wrong.
In a recent interview with Friday Talkies, Suneel Darshan opened up about his experience working on the film and his collaboration with Kashyap. The story of Shakalaka Boom Boom was originally conceived by Darshan, who brought Kashyap on board to write the screenplay. Kashyap, known for his distinctive voice in Indian cinema, was a rising name at the time, noted for his gritty and unconventional approach to storytelling. However, Darshan now admits that the collaboration between the two didn’t pan out as expected.
Mismatched Creative Visions
Darshan explained that the idea to collaborate with newer writers like Kashyap came from his assistants, including filmmaker Luv Ranjan, who encouraged him to embrace a more modern, evolving cinematic landscape. At the time, Kashyap was making waves with his work in independent cinema, and Darshan believed that bringing him on board would infuse a fresh perspective into his film.
Despite this optimism, Darshan felt that their creative energies didn’t align. According to the filmmaker, the writing by Kashyap, while unique, didn’t complement his vision for the film. While he acknowledged that the movie was visually appealing and well-shot, he felt that something crucial in the script failed to resonate with the audience. Darshan explained, “It was a film with potential, but somewhere our creative vibes didn’t match. The script lacked the emotional depth and engagement needed to make the audience connect.”
Casting Missteps
One of the key reasons Darshan believes Shakalaka Boom Boom faltered was the casting, particularly that of British actor Upen Patel in a leading role. Patel, who had previously appeared in a smaller role in Namastey London, was cast based on his looks and charisma, which Darshan felt were perfect for the character. However, he soon realized that Patel struggled with delivering his dialogues convincingly, which ultimately undermined the film’s impact.
Darshan shared his frustration over the casting choice, explaining that he had considered dubbing Patel’s voice due to his struggles with Hindi dialogue delivery, a decision he eventually went through with. However, this didn’t save the film from its eventual fate at the box office. Darshan stated, “Upen had the right look, but his dialogue delivery wasn’t up to the mark. We dubbed his voice, but that couldn’t compensate for the disconnect the audience felt with his character.”
Darshan also reflected on how Patel’s earlier appearance in Namastey London complicated his positioning as a debut lead in Shakalaka Boom Boom. Having a smaller role in a successful film just before his lead debut affected the audience’s perception of Patel, further contributing to the film’s failure to connect.
More Read
The Importance of the Protagonist
For Darshan, the lack of connection between the audience and Patel’s character proved detrimental to the film. He explained that when viewers are unable to emotionally invest in the protagonist, the overall film loses its impact. This disconnect, along with the misalignment in creative vision between Darshan and Kashyap, became significant reasons for the film’s lackluster performance.
Shakalaka Boom Boom was expected to be a musical extravaganza, with a storyline centered around rivalry and ambition in the music industry. However, even its glossy visuals, vibrant soundtrack, and ensemble cast couldn’t salvage the film from critical and commercial disappointment.
Lessons Learned
Reflecting on the experience, Darshan admits that casting and script alignment are crucial to a film’s success. Despite his seasoned experience in Bollywood, with successful films like Jaanwar (1999), Ek Rishtaa: The Bond of Love (2001), and Andaaz (2003), he recognized that even a seasoned filmmaker can make mistakes when it comes to casting choices and collaboration dynamics.
For Darshan, Shakalaka Boom Boom remains a project where potential was lost due to mismatches in vision and performance. His reflection on this collaboration highlights the complexities of filmmaking, where even a strong story idea and renowned collaborators may not always guarantee success.
